The Ruins of Lace is a historical fiction novel written by Iris Anthony that follows the journey of one particularly beautiful piece of lace through France. But wait! There is one catch: the possession of lace in France was forbidden. So how does the lace make its perilous journey all the way from Flanders to France, wreaking havoc on the lives of the people it encounters? The novel showcases seven unique characters, whose actions all influence each other.
The Ruins of Lace begins from the point of view of Katharina, who is a lowly lace maker in a convent. Hard labor has made her blind, and she fears what will happen when she can no longer weave her precious lace. Her sister wants to free her from her slavery, but it comes at a steep price she cannot afford. Then, the story is told from the point of view of an abused dog used to smuggle the lace that Katharina wove into France. A border guard, Denis, is supposed to prevent this, but proves he doesn’t have the heart to hurt the peasants who enter France. Then the story progresses into a new class, when the daughter of a viscount owes an unattainable amount of lace to the Count of Montreau, and can only hope to find it with the help of her cousin Alexandre Lefort. The puppet master of all these seemingly unconnected people is the Count of Montreau himself, who needs a spectacular piece of lace to appease the cardinal who, under instruction from the count’s father, will take away his title and inheritance.
I particularly enjoyed this novel because of the amazing character development that it had. In a novel, sometimes an author does not even adequately develop their protagonist. That is far from true in The Ruins of Lace, as Anthony is able to make the reader grow attached to every character, no matter how seemingly minor they may at first appear to be. Also, this book is a must read for people who not only enjoy a good adventure novel, but for people who enjoy puzzles. Each character influences the others in a profound way, regardless of whether they actually encounter each other. This gives the impression of the book being like a piece of Katharina’s lace; it is composed of many interwoven strands that come together to make a spectacular final artwork.