The first season of the new Netflix show, “Series of Unfortunate Events” was released! I will be reviewing the season as well as comparing it to the books, however I will let you know when I will delve into the spoiler sections.
Firstly, I would like to say that when I first heard that Neil Patrick Harris was going to play Count Olaf, I was a little nervous. Excitingly however, I think he did a great job portraying him, as he and the character are theatrical. Of the Baudelaire children I believe that Louis Hynes (the boy who plays Klaus) best portrays the character as it is in the book series, however I do like them all. The sets of Count Olaf’s house, Uncle Monty’s House, and Aunt Josephine’s house were all exactly how I had pictured them. Count Olaf’s troop characters including the Hook Handed Man and the Powder Face sisters were all there, as well as a few new characters that have added a more diverse dynamic. The format of doing two episodes to encompass each book worked out quite well. The base plot of the novels was consistent with the series, although there were minor changes and perspectives from other characters which was interesting to see. And as a fan of the books, I was delighted to see that Lemony Snicket’s narration of the series and character was included, as he has monologues directed towards the audience. I am happy to see that the creators did not shy away from the woeful darkness the story has, and embraced it instead.
This next section will be a SPOILER for the season, so if you haven’t watched it yet please go watch!
The biggest plot twist of the season, book fans didn’t expect this either, was the long running subplot of the Baudelaire parents trying to get home to their children. At first I was upset that the creators had the parents remain alive, but then came to terms with the notion that perhaps the creators would kill off the parents before the children ever knew they survived the fire. This concept was actually a theory of the book fans, in which the Baudelaire parents actually survived, but the children never knew, and they did not get reunited. However, as we know from the twist in the finale, the “parents” that were shown were not Baudelaires after all, but Quagmires. I loved that the creators made us believe they were the children’s parents, and in the end show us that they had never specified they were Baudelaires. This creates a smart introduction to the Quagmire twins/triplets, as we already know their backstory. It is a great use of the omniscient perspective that book readers didn’t get to see, creating exciting new details for book readers, without changing the plot. And lets not forget that ending musical scene! If someone had told me beforehand that they would be singing at the end, I would not be happy about it, but it really flowed in an odd and mystical sort of way.
So what did you guys think about the adaptation? Let me know!
-Ava K., 12th grade