Joyce started out as a poet. Chamber Music was his first work. Critics seem to have reached a final conclusion on it, such as the traditionality of the whole poem, traditional meter and rhyme, traditional image structure and so on. The musicality of the poetry is also widely talked about by critics. This was due to Joyce’s musical. According to the poet himself, every poem can be put to music. The style of the poem follows the romantic style of the 19th century, but it is not without sentimentality. There is also the integrity of the content, that is, the evolution of love and the journey of the soul, two threads that go hand in hand, complement each other, and constitute the emotional tone of the whole collection. And the poetry is stylistically very different from Joyce’s novels such as Ulysses. It is not unreasonable to point out that there is only one voice throughout the thirty-six poems.
For in the reader’s ears the hero is always pouring out his heart to his sweetheart, from infatuation, marriage proposals, happy conjunctions, to a change of heart, treachery, and, at last, solitary and drifting away. But we don’t hear the hero’s voice at the beginning, which would be too abrupt and leave the reader wondering if the hero is lyrically barking up the wrong tree. In other words, a stage should be set for the protagonist to perform first. Chamber Music is about the love story and mind journey of the hero, mainly told by his voice. In other words, the emotional experience between the male protagonist and the heroine is presented to the reader through the consciousness of the hero, that is, the dramatic expression of the emotional experience between them.