Comparison: Thirteen Reasons Why

Recently, a series for the novel Thirteen Reasons Why, was released on Netflix. Out of curiosity and the large amount of people raving about it, I decided to watch it. I read the book a couple years ago and hoped the series would do well to mimic it. Please note that this is a serious and powerful piece of work with triggering and sensitive topics. While it holds important lessons, it may not be a book/series for everyone.

A quick synopsis: Hannah Baker is the new girl at her small high school, ready for a fresh start. Almost immediately she captures the attention and interest of many and while it seems like her life is going well, it takes an unexpected downward spiral. Social media, rumors and loneliness saturate Hannah’s life and turn it upside down. She suffocates under pressure and undergoes numerous internal issues. Eventually she commits suicide and leaves behind thirteen cassette tapes holding thirteen reasons why she ended her life. The thirteen people responsible for her passing are hit with the overpowering realization that their actions and words are more than just actions and words.

The book, written by Jay Asher, is incredible and captures the essence of what it is like to be a teenager, overwhelmed by the struggles of today’s society. The book was personal and eerie but the series made everything come to life. Yes, the series over exaggerated some parts and added more details to parts in the book that were briefly discussed. However, that realism and graphic detail is what really speaks and captures the attention of many. Without using detail to demonstrate the severity of Hannah’s problems, people can be tempted to overlook them. The book and series share similarities such as the relationships between the characters, and the secrets and rumors that get spread around. Like any book and show, they hold differences as well. The biggest difference is how raw the series is. There are more in-depth character backgrounds, more dramatic confrontations between characters and heavier, darker scenes.

This book is a huge metaphor; while Hannah is one individual in this one particular book, she stands for every human in this world that may be going through exactly what Hannah went through. She stands for those who are too scared to speak out and she stands for what our society needs to fix. Thirteen Reasons Why not only acknowledges flaws in our world but also shines a light on the importance of being kind and realizing that everyone fights their own personal battles.

-Jessica T.

Jay Asher’s Thirteen Reasons Why is available for checkout from the Mission Viejo Library

TV Review: Netflix’s A Series of Unfortunate Events

maxresdefaultA Series of Unfortunate Events, released on Netflix, is taken from the book series A Series of Unfortunate Events by Lemony Snicket. I watched the show, and, personally, I really liked it. I had read the books a few years ago, so I don’t remember exactly how similar the series and the books are, but the way that the Netflix series is set up was intriguing. The narrator (Lemony Snicket), is played by Patrick Warburton, and repeatedly breaks the fourth wall as he explains what is going on with the Baudelaire orphans. The children lose their parents, as they did in the books, and have an incompetent adult looking after them, something viewers will quickly realize after watching the children’s first meeting with them. Also similar to the books, Count Olaf is constantly trying to get the children’s’ fortune. The end of the show (if I remember correctly, it’s only eight episodes) ends on a cliffhanger, since it doesn’t finish the whole book series, but ends somewhere in the middle of the series.

Throughout the series, there were moments where I was face-palming myself or getting mad at the characters (mostly the adults), but overall I really liked the acting and the plot. Again, I don’t exactly remember how things went in the original series, but I thought that a lot of the acting personified the book characters. I would definitely recommend this show to anyone interested, especially if they’ve already read the books.

-Aliya A.

TV Review: Netflix’s A Series of Unfortunate Events

seriesofunfortunateevents_netflixThe first season of the new Netflix show, “Series of Unfortunate Events” was released! I will be reviewing the season as well as comparing it to the books, however I will let you know when I will delve into the spoiler sections.

Firstly, I would like to say that when I first heard that Neil Patrick Harris was going to play Count Olaf, I was a little nervous. Excitingly however, I think he did a great job portraying him, as he and the character are theatrical. Of the Baudelaire children I believe that Louis Hynes (the boy who plays Klaus) best portrays the character as it is in the book series, however I do like them all. The sets of Count Olaf’s house, Uncle Monty’s House, and Aunt Josephine’s house were all exactly how I had pictured them. Count Olaf’s troop characters including the Hook Handed Man and the Powder Face sisters were all there, as well as a few new characters that have added a more diverse dynamic. The format of doing two episodes to encompass each book worked out quite well. The base plot of the novels was consistent with the series, although there were minor changes and perspectives from other characters which was interesting to see. And as a fan of the books, I was delighted to see that Lemony Snicket’s narration of the series and character was included, as he has monologues directed towards the audience. I am happy to see that the creators did not shy away from the woeful darkness the story has, and embraced it instead.

This next section will be a SPOILER for the season, so if you haven’t watched it yet please go watch!

The biggest plot twist of the season, book fans didn’t expect this either, was the long running subplot of the Baudelaire parents trying to get home to their children. At first I was upset that the creators had the parents remain alive, but then came to terms with the notion that perhaps the creators would kill off the parents before the children ever knew they survived the fire. This concept was actually a theory of the book fans, in which the Baudelaire parents actually survived, but the children never knew, and they did not get reunited. However, as we know from the twist in the finale, the “parents” that were shown were not Baudelaires after all, but Quagmires. I loved that the creators made us believe they were the children’s parents, and in the end show us that they had never specified they were Baudelaires. This creates a smart introduction to the Quagmire twins/triplets, as we already know their backstory. It is a great use of the omniscient perspective that book readers didn’t get to see, creating exciting new details for book readers, without changing the plot. And lets not forget that ending musical scene! If someone had told me beforehand that they would be singing at the end, I would not be happy about it, but it really flowed in an odd and mystical sort of way.

So what did you guys think about the adaptation? Let me know!

-Ava K., 12th grade

Voltron: Legendary Defender, Rebooted and Rewarding

voltronNetflix’s new animated series, Voltron: Legendary Defender, takes the much-beloved 80’s cartoon Voltron: Defender of the Universe and rebuilds the world of space battles, robotic lions, and strong friendships in a new take on the classic sci-fi adventure. With its second season having been recently released on Jan. 20th, fans have jumped at the chance to devour the new set of 13 episodes and now eagerly await more.

Our story centers around five humans from Earth – Shiro, Lance, Hunk, Pidge, and Keith – that discover a giant blue robotic lion that’s been sitting dormant in the desert. Once they’re inside, the lion activates and flies the five heroes into space – yes, a flying lion spaceship – where they meet two aliens named Coran and Allura. They are from the planet Altea, which was destroyed by the Galra Empire thousands of years ago. The Galra Empire has been continuing its tyrannical takeover ever since, and the universe needs Voltron to save it. What is Voltron, you ask? Coran and Allura explain to the five heroes that the blue lion they uncovered is one of five robotic lions that, when piloted, can combine into a massive, human-shaped robot of great power named Voltron. Sounds ridiculous, right?

Despite the absurdity of the idea, this show executes it so well. The action is intense, the alien civilizations wildly creative, and the animation a far leap ahead of its 80’s counterpart. The characters are developed and getting deeper as the show goes on, and the plot is fast-paced and entertaining. I saw the first season when it first released early in 2016, and the year long wait for Season 2 was worth it. The creators of the show, Joaquin Dos Santos and Lauren Montgomery, stay true enough to the original but have updated it in many, much-needed ways. They pay attention to their ever-growing fanbase and deliver quality episodes that continue to appease and surprise.

The characters are all individually enjoyable and have great dynamics together. Shiro leads the group as the paladin, or pilot, of the Black Lion and acts as the head of the group, as opposed to Keith doing so in the original series. Keith now pilots the Red Lion as its impulsive, ready-to-fight paladin. Lance is the flirtatious jokester and sharpshooter paladin of the Blue Lion. Hunk is the food-loving engineer and pilot of the Yellow Lion. Pidge, who is now a girl as opposed to her male 80’s counterpart, is a tech genius and the youngest of the group, piloting the Green Lion. Allura is the princess of Altea, and Coran is her advisor.

Not only have these characters been fully-fleshed out with backstories (although we’re still waiting on Lance’s and Hunk’s backstories) and motivations, but the new Voltron has made an effort to diversify its cast. Allura, Hunk, Shiro, and Lance are all people of color now, and Pidge’s gender change has brought a second female into the limelight. I for one am incredibly happy to see this push for diversity. The dialogue is conversational and natural, and the tone switches appropriately from light-hearted and goofy to serious and heartfelt when called for. In the newest season, the concept of prejudice is brought up and addressed exceptionally well. It’s progressive, and I love it.

Of course, the past 30 years have led to much better quality animation, leaving Netflix’s version with a style reminiscent of the popular Avatar: The Last Airbender. Voltron mixes CGI into the mainly 2D show in order to make the lions, Voltron, and fight scenes stand out. The character animation is exaggerated for comedy and detailed for intensity, switching it up depending on what the story calls for.

Voltron: Legendary Defender deserves a watch; go and see Season 1’s first episode, which is pretty plot-heavy, and you’ll have a good sense of the show’s dynamic. I applaud Netflix’s approach to this classic and anticipate next year’s season!

-Abby F., 12th grade

 

A Series of Unfortunate Events Netflix Show?

seriesofunfortunateevents_netflixIf you have never read A Series of Unfortunate Events by Lemony Snicket, you are missing out on an incredibly unique and amazing book series. This series is what made me fascinated in books as a child because it has such an alluring plot and intriguing narration. The story follows three bright young children named Violet, Klaus, and Sunny, who have recently been orphaned due to a fire in their mansion.Violet, the oldest Baudelaire, is fourteen at the start of the series and is known for the signature black ribbon in her hair and scrappiness in inventing. Klaus, her younger brother is twelve and has read more non fiction books than all of us combined, and therefore is knowledgeable in many topics. And last but not least, we have Sunny, a mere baby who has an insane talent of biting. Because of the children’s large inheritance, a sinister man named Count Olaf hunts these children down throughout the series and continuously conjures up plots to steal their fortune. These poor siblings are left to constantly move from one home to another, forced to always look over their shoulder.

Although this is a children’s series, it is evident from the summary that interwoven are themes of survival, tragedy, and woe, which allows it to be a series that can be enjoyed by all generations. Don’t be alarmed however, because this series does not leave you depressed and solemn, but rather fascinated by the twisting plot, and heart-warmed by the Baudelaire children. There are thirteen books, but most of them are thin enough to easily be finished in a day or two, so do yourself a favor and pick up A Bad Beginning, which is the first book, and you will not be disappointed.

In 2004 there was a movie made about this series, encompassing the first three books, however it did not continue on. Excitingly, Netflix has announced a TV show of A Series of Unfortunate Events, in cooperation with Paramount Pictures. This show is said to have a slightly darker atmosphere than the series, due to the fact that the book series’ original fans are not children anymore. I have linked the newly released trailer to the TV show, which stars Neil Patrick Harris as Count Olaf, Malina Weissman as Violet Baudelaire, Louis Hynes as Klaus Baudelaire, Aasif Mandvi as Uncle Monty, and many more.What I love about this cast is that the actors who play the Baudelaire orphans are around the same age their characters are, rather than being an 18 year old playing a 14 year old, which many book to screen adaptations do. The first season drops on Netflix THIS January, Friday the 13th. For fans like me who have been waiting for more than a decade, this is pretty monumental.

I would love to hear who else is excited about the Netflix reboot, so comment away!

Stranger Things: A New Netflix Phenomenon

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Once a new TV show permeates every form of social media, I take it as a sign I should get around to watching it – both to join the chaotic mess of fans and to avoid the ever-growing list of spoilers. Stranger Things, Netflix’s new original TV series, has taken the world by storm, and after watching the entire first season in two nights, I have been fully swept away in its winds of success.

Stranger Things is an eight chapter story about young boy, Will Byers, who goes mysteriously missing after a game of D&D with his quirky gang of friends. The town goes on high alert trying to find the boy, while a strange and, quite frankly, disgusting monster lurks in the shadows and awaits its next victim. The only one who has any semblance of understanding as to why the monster is stalking the small town is Eleven, a girl of few words and many powers. As Sheriff Hopper traces what he believes to be Will’s tracks to the suspicious government organization in town, Eleven teams up with Mike, Dustin, and Lucas to search for Will on their own.

The show walks the line between horror and sci-fi, using the rural town of Hawkins, Indiana as a setting for a supernatural hotspot, including an alternate dimension, telekinetic powers, and the monster that’s been nicknamed “The Demagorgon.” The pacing can feel slow at times, but it gives the show lots of room for character development and raw emotion.

The actors give stunning performances that truly convey their characters’ internal struggles, whether it be a desperate mother grasping at supernatural straws to find her son or a lab experiment runaway hiding from her manipulative “Papa.” The show’s comedic relief, which is mainly circumstantial and dialogue-related, is found mostly among the group of middle schoolers Mike, Dustin, and Lucas as they search for Will and coax Eleven into helping. They’re nerds, scientists, and adventurers-in-the-making, and I fell in love with them immediately. Eleven’s reactions to everyday phenomena always got me to crack a smile, too.

However, the show’s comedic moments are few and far between. A large portion of the show is suspenseful and emotional. Stranger Things‘ main theme would have to be trust and faith. The boys must earn Eleven’s trust in order to gain her help, and Eleven must earn their trust so that they won’t suspect her of being the “Lando” in their story, as Dustin would say. Joyce Byers, Will’s mother, needs someone to trust her as she tries not to lose faith in the supernatural signs her son sends her. The show relies heavily on its characters and their relationships with one another, whether it be family, friends, or even lovers. Fear and desperation can bring together the unlikeliest of people, and Stranger Things has more than enough fear and desperation to provide these opportunities.

The directors, the Duffer Brothers, have brought about a new pop culture sensation that is steadily increasing in popularity. If horror, sci-fi, and supernatural are your buzz words for a good show, Stranger Things is right up your alley. I enjoyed every minute of this series, and I eagerly anticipate Season 2 (coming next year).

-Abby F.