Ernest Miller Hemingway (July 21, 1899 — July 2, 1961) was born in Oak Park, Illinois.
Hemingway won many awards in his life. He was awarded the silver medal for bravery during the first world war; In 1953, he won the Pulitzer Prize for “the Old Man and the Sea.” This book won Hemingway the Nobel Prize for Literature in 1954. In 2001, Hemingway’s “The Sun Also Rises” and “a Farewell to Arms” were listed by The American Modern Library as one of “The 100 Best English-Language Novels of The 20th Century.”
Hemingway committed suicide with a shotgun at his home in Idaho on July 2, 1961. He was 62 years old.
Hemingway, who had been married four times in his life, was a representative of the “Lost Generation” writers in the United States. He showed his confusion and hesitation about life, the world, and society in his works. He has always been known as a tough man in the literary world. He is a spiritual monument of the American nation.
Hemingway’s usage of language has the characteristics of no redundancy, easy style, simple sentences, and plain words. He often constructs single sentences with basic words as the center, and seldom relies on adjectives and adverbs to express thoughts. In chapter 26 of “A Farewell to Arms,” a conversation about the war between Henry and the vicar is concise and perspicuous. The absence of flashy modifiers gives the reader a strong sense of people’s aversion to war. In the novel “The Killer”, many succinct phrases are used, and the plot is developed in the form of colloquial dialogue. Hemingway avoids unnecessary explanations and complicated background twists which allow the readers to directly interact with the characters and be immersed in the plotline.
-Coreen C.
The works of Ernest Hemingway are available for checkout from the Mission Viejo Library. They can also be downloaded from Overdrive.
The Catcher in the Rye is the only novel by American writer Jerome David Salinger, first published in 1951. Salinger limits the story to the three days when 16-year-old high school student Holden Caulfield leaves school to wander in New York City and explores the inner world of a teenager using streaming-of-consciousness writing. Anger and anxiety are the two main themes of the book. The experiences and thoughts of the protagonists resonate strongly among teenagers and are warmly welcomed by readers, especially middle school students.
The United States in the 1950s had just won World War II and became a supreme political, economic, and military power. In such a period, “New York” is a representative of the American materialist society. It symbolises the most “fake” of all, that people’s spiritual life is a wasteland and that no one cares about other people’s feelings. The artistic charm of this novel lies in the author’s focus on the in-depth analysis of the characters’ psychology. He depicts the ambivalence of the protagonist Holden and his complex psychopathy in a delicate and analytical manner. In this book, Salinger adopts a first-person limiting perspective, and the story is told only within the scope of Holden’s psychological activities or feelings, while Holden is a 17-year-old undergoing psychoanalytic treatment and has no normal judgment of the world around him.
Salinger takes such a figure as the narrator of the novel, which greatly negates the traditional aesthetic concept of metaphysics. The traditional aesthetic concept holds that beauty is the inherent attribute of literary and artistic works and the manifestation of the cohesion of people’s aesthetic experience. The creation of artistic works as a form of beauty includes not only the reproduction of artistic images to reality, but also the aesthetic intention and evaluation of artists to reality.
The purpose of artistic production is to edify the soul with sublimated aesthetic experience and give people pure aesthetic enjoyment. Artistic works should create beautiful atmosphere, beautiful image, beautiful ideal, so that it has moving charm, eternal value and a harmonious, unified overall form. However, Salinger’s Holden is far from such an aesthetic object. He is a teenager suffering from mild schizophrenia, whose values have not yet been fully formed and whose rational world is in chaos.
-Coreen C.
The Catcher in the Rye by J. D. Salinger is available for checkout from the Mission Viejo Library. It can also be downloaded for free from Overdrive.
(William Faulkner William Faulkner on September 25, 1897 – July 6, 1962), one of the most influential writers in the history of American literature is the representative figure of a stream of consciousness literature in the United States, and the 1949 Nobel Prize winner, won the prize for “because he has made a strong and art to contemporary American novel unparalleled contribution”.
In his lifetime, he wrote 19 novels and more than 120 short stories, among which 15 novels and the vast majority of short stories took place in Yoknapatawpha County, known as “Yoknapatawpha lineage”. The main thread is the story of generations of several families of different social classes in the county town of Jefferson and its suburbs, from 1800 until after World War II. More than 600 characters with family names are interspersed in novels and short stories. The most representative work is “The Sound and the Fury.”
Faulkner reflected the reality of southern society facing the invasion of industrial civilization through subjective refraction. The Civil War ended with the defeat of the south. After the war, the traditional values of the south collapsed. Raised in the southern tradition, Faulkner grew up with tales of courage, honor, compassion, pride, justice, and freedom from his ancestors His pride in his family and love of his native land were sown in his heart. However, the rapid collapse of the south, the impact of the first world war, and the postwar American society led him to make a reflection on the traditions. He learned to face the reality to make new thinking, peel off the beauty of the southern spiritual heritage, and see the evil of the southern slavery and plantation owners of corruption, slavery, and inhumanity. This realization was painful for Faulkner, who was deeply attached to his home. He did not shy away from the pain, but with the artist’s keen eye to see the facts, willing to become a spiritual vagabond. And he could not find sustenance in the industrial civilization brought by the north. What he saw was the suffering of the people of the south in the development of capitalism. In the new south, simple human relations were replaced by money, and peaceful life was destroyed by a chaotic and noisy urban life. Everyone loses his or her individuality and becomes a machine that is manipulated or abused. So they involuntarily turn to the old ways of life, but immediately recall the guilt of history and fear. It was with such a complex feeling that Faulkner depicted the southern society and conceived his own art world.
-Coreen C.
The works of William Faulkner are available for checkout from the Mission Viejo Library. They can also be downloaded for free from Overdrive.
Saul Bellow (1915 — 2005) was an American writer, known as the spokesman of American contemporary literature. Born in 1915 in Racine, a suburb of Montreal, Canada, to Jewish immigrants from st. Petersburg, Russia. In 1924, the family moved to Chicago, USA. He attended the University of Chicago in 1933, and two years later transferred to Northwestern University, where he graduated in 1937 with a bachelor’s degree in sociology and anthropology. In addition to the occupation as an editor, journalist, and merchant navy, Bellow spent most of his time as a college professor. He received honorary doctorates from Harvard, Yale, and Northwestern universities. Bellow wrote and published 11 novels, 3 novellas, 4 short stories, and a play. In addition, he also published three non-fiction works, such as travel notes, essays, and speech collections.
The protagonists in Bellow’s works all desire to pursue a better life and the meaning of life. Even Maggie, who is in a wandering situation, dreams of starting an orphanage. The pursuit of the perfect self and social life translates into the ideal of Bellow’s heroes. However, life not only rewards them with incentives but more often stabs them in the back without them noticing. Hence, most of the characters exemplify escapism from the harsh reality that is imposed upon them. There is an inescapable paradox between their search for freedom and their flight. Just as they dream of playing the noble role of helping the world and saving the common, they are also victims of the cruel world.
The Scarlet Letter is a novel by American romantic writer Hawthorne. It was published in 1850. The Scarlet Letter is about the tragedy of love in colonial North America. The heroine, Hester Prynne, was married to a physician, Chillingworth, but there was no love between them. In her loneliness, Prynne fell in love with the reverend Dimmesdale and gave birth to her daughter Pearl. Prynne was publicly punished and was paraded to the public with the symbol of adultery. But Hester Prynne remained steadfast and refused to name the child’s father. Symbolism is often used in the novel. Characters, plots, and language are highly subjective, and psychological activities and intuition are often given priority in the description. Therefore, it is not only a representative work of American romantic novels but also known as the pioneer of American psychoanalytic novels.
The love between Hester and Dimmesdale is full of the sacrificing spirit of a moth to the flame, which has a strong tragic color. They are not only the unashamed martyrs who sacrifice themselves for the higher truth but also the victims who are offered to God on the altar of Puritan. The symbolism of the letter “A”, at the heart of the book, is more colorful than red. Its connotation changes with the development of the plot and characters, and varies with the standpoint of the observer, showing the characteristics of wandering and drifting. “A” is the first letter of the alphabet, signifying beginning, and in Christian doctrine, the beginning in the fall, the original sin from which no one is spared. The beginning of the world was the fall; Adam and Eve, the ancestors of human beings, were expelled from the Garden of Eden because they sinned by eating the forbidden fruit. The beginning of life is also the fall, Adam and Eve’s children and grandchildren inherit original sin which means that people are born to sin.
-Coreen C.
The Scarlet Letter by Nathaniel Hawthrone is available for checkout from the Mission Viejo Library. It can also be downloaded for free from Overdrive.
Fitzgerald was born on September 24, 1896, in st. Paul, Minnesota, to a family of small businessmen. His ancestors, who had once been rich and powerful, have faded down to his parents’ generation. In 1913, supported by relatives, he attended Princeton University, an aristocratic institution of higher learning in the eastern United States. But he had no interest in his studies, often missed classes and failed exams, and focused almost entirely on social activities. He managed to get into the school’s literary group, was invited to the most famous clubs, shook off his country accent, and developed a standard “advanced” English, trying to subtly erase differences of birth. In 1915, when Princeton’s theater troupe toured the United States with his comedy “The Evil Eye,” he was barred from performing with the group because of his grades.
In the spring of 1917, the United States entered World War I, and Fitzgerald joined the army. In late 1918, Fitzgerald left the army and headed to New York, where he found only a job writing the words for a little-known advertising agency. In June 1919, his lover Zelda lost patience and called off the engagement. Early experiences led to Fitzgerald’s lifelong sensitivity to money. In 1919, Fitzgerald returned home with nothing. Published in February 1920, the novel “This Side of Paradise” became an instant hit for its vivid sense of The Times, and the first edition sold out in a few days. Magazines began to scramble for him.
On December 21, 1940, Fitzgerald died of a heart attack caused by alcoholism at the age of 44, leaving behind an unfinished work, “The Last Tycoon”.
He is a legendary author with a flourishing life, but his outstanding literary understanding and writing abilities did not leave him with a glorious ending.
-Coreen C.
The works of F. Scott Fitzgerald is available for checkout from the Mission Viejo Library. They may also be downloaded for free from Overdrive.
The Million Pound Note is a novella written by American writer Mark Twain and published in 1893. It tells the adventures of Henry Adams, an American boy who is an impoverished clerk in London. Two rich brothers in London made a bet to lend Henry an uncashable million-dollar note to see how he would wind up in a month. Instead of starving or being arrested, Henry became rich and won the heart of a beautiful lady. This article reproduces the satire and humor in the master’s novels with slightly exaggerated artistic techniques and exposes the money-worship ideology in the early 20th century.
At the beginning of the novel, Henry floats too far out to sea in his small sailboat. When he arrived in London, Henry had no one with him. After using up his last dollar, he was left without food and clothing. While Henry loitered hungrily in Portland Square, a child threw a pear with a bite thrown into the gutter. Henry stared hungrily at the muddy treasure, drooling. Just as the reader was nervous that Henry was about to grab the “treasure”, “Please come in” — just five short words, like a bolt from the blue, released the reader’s nerves. Henry’s life changed.
The young man in the novel is a true portrayal of Mark Twain. In Nevada, Mark Twain was a journalist in Virginia City, Nevada’s gold and silver region. Mark Twain was not immune to the gold rush, and he was sensitive to rumors and new opportunities. At that time, many miners who had discovered gold and silver mines were selling their shares in New York City to raise money, and Mark Twain invested all his savings, and even all his royalties, in buying silver mines.
Most of the book is the confession of Humbert, a death-row prisoner, recounting the love story between a middle-aged man and an underage girl. The novel was initially rejected for publication in the United States and was first published in 1955 by Olympia in Paris. Finally published in the US in 1958, the book rocketed to the top of the New York Times best-seller list. Lolita has been adapted into a film.
In the novel, Humbert Humbert, a middle-aged French immigrant to the United States, had a first love affair with a 14-year-old girl Annabel when he was a teenager. In The end, Annabel died early from typhoid fever, which led to Humbert’s transformation to a pedophile. He defined “goblin” as “nine to fourteen years old”. First abandoned by a wealthy widow, Humbert later falls for Lolita, the 12-year-old daughter of landlady Charlotte Haze, calling her a goblin. Unable to break away from Lolita due to the shadow of his childhood, Humbert marries his landlady and becomes Lolita’s stepfather in order to get close to the precocious and passionate little girl. The girl in the novel is Dolores Haze, or Lolita or Lo, as the Spanish-sounding nickname for the book’s title.
The landlady in her husband’s diary later found out his secret and was very angry that he cheated on her. Humbert later picks Lolita up from camp and travels with her, thinking that by drugging her in her drink he can unknowingly molest her. The drug had no effect on Lolita (because it wasn’t really a powerful sleeping pill), and instead, the next morning, Lolita flirted with Humbert and had an incestuous relationship. Humbert then informs Lolita that her mother is dead, and with no choice, Lolita accepts that she must live with her stepfather. Humbert takes Lolita on a father and daughter tour of The United States, using pocket money, beautiful clothes, and delicious food to control Lolita and continues to satisfy his desire for her. As Lolita grows up, she begins to dislike her stepfather and starts dating boys of her own age. She takes the opportunity of a trip to break away from her stepfather. Humbert searched frantically at first, but eventually gave up.
Three years later, Humbert receives a letter from Lolita. It says that she is married, pregnant, and needs financial help from her stepfather. Humbert gave her $400 in cash, a check for $3,600, and a $10,000 deed to the house that he had sold. He asked Lolita who is the man who took her away from, and Lolita told him that the man is Quilty who is a professor of performance at her school. She told him that she ran away from Quilty because she rejected Quilty’s request to her and the other boys for making pornographic films. Humbert begged Lolita to leave her husband and go with him, but she refused, and Humbert was heartbroken. He tracked down and shot Quilty. Humbert died in prison of a blood clot, and Lolita died in childbirth on Christmas Day 1950 at the age of 17.
-Coreen C.
Lolita by Vladimir Nabokov is available for checkout from the Mission Viejo Library. It is also available to download from Overdrive.
Earl Stone is a senescent horticulturist and veteran from the Korean War. For all of his life, he has dedicated his time to nurturing his plants and prioritizing work before anything. Due to this reason, he is greatly estranged from his daughter and his wife Mary. At the beginning of the movie, Earl is still earning popularity and money by selling plants to people. However, as the years passed, the internet is the new way of how people sell stuff. Due to this reason, Earl’s business has greatly fallen behind and he was facing a financial crisis. After a heated argument with his wife on how he missed his daughter’s graduation and even the wedding, Earl was headed out of the house. Nevertheless, one strange man approached him and told him to transport some cargoes which can earn him plenty of money. Earl easily agreed and that’s how he came to be the courier of illegal drugs.
There are two reasons why I believe this movie deserves some attention and views. First, it has a central theme of racism that is not outright spoken but can be clearly felt. Due to Earl’s identity as a white man, police officers didn’t bother to check his truck even after the dog has barked after the smell of the drugs. He easily believed Earl when he claims that the dog barks because of the liniment he applies to his hands for medication purposes. The second time the police officers arrested the two Hispanic bodyguards along with him but didn’t arrest Earl due to his race. The third time the police officers directly skipped Earl’s hotel room and only interrogated people of color.
The second reason is that although this movie mainly focuses on crime, its central theme is family. Earl never knows how important family is to him until he attended the performance of his granddaughter. The money he paid for her tuition is illegally earned, but it made him feel special and purposeful about being appreciated by his family members. When his wife Mary died, he deeply regrets the limited amount of time and attention he spent on her until she’s no longer with him.
Therefore, it is important that we recognize and cherish the people and things around us before they are gone.
As a writer of the British Empire at the peak of the colonial era, Collins is immersed in the influence of colonialism and orientalism thinking mode. His image of the Eastern people inevitably shows the superiority of the subjects of the metropolitan country and the obvious racist attitude towards the colonial people. However, many factors in The Moonstone, such as the selection of time setting, plot arrangement, characterization and so on, can also be interpreted completely in the opposite way: Collins raises certain doubts and challenges to the colonial mentality. Collins’s choice of India as the setting is closely related to the Indian mercenary riots of 1857. The rioting started when the British authorities used butter and lard as lubricants for bullet clips that needed to be chewed through the mouth, and the mercenaries were mostly Hindus or Muslims. To them, touching the oil on these clips meant blasphemy against religion. Angry soldiers rioted, killing not only the British boss but also the innocent. Most of the reports in the British media distorted the facts of the case, and for a time, the name “bloodthirsty Indian” was constantly heard. Collins and Dickens collaborated on an article called “The Perils of Certain English Prisoners,” which exposed the insidious, cunning, and hypocrisy of colored people and praised the qualities of British soldiers. The Moonstone was written on the tenth anniversary of the riots, and newspapers and magazines are full of memories, memorials or reflections on the events. By this time, many British people had come to understand the truth and felt that the British authorities had been wrong to disregard the Indian soldiers’ religious beliefs, and Collins’s views had changed subtly. In the novel, his view of the relationship between Britain and India is no longer a simple tribute to the British empire, but an indirect expression of his deep reflection. The plot arrangement and characterization of the novel also reveal Collins’ questioning and criticism of the so-called noble morality of the colonists.
Several of the Englishmen involved in the jewel were from the upper middle class, but the cruelty and greed of Colonel Herncastle, who first grabbed the jewel, goes without saying, and the image of Abel White, the real black hand in the jewel theft, is ironic. The final collapse of the case exposed Abel White as a hypocritical English gentleman. He is the suitor of Rachel, the heroine. He is of noble birth, well-educated and has a noble career as a lawyer. He attends church regularly and is enthusiastic in organizing and participating in various charitable activities. He was a fine young man of uncommon appearance. He had a round, bright face, a ruddy complexion, and lovely blond hair. However, when the mystery is solved, his double identity is revealed: the bright surface conceals the dark inner heart, he not only leads a dissolved life, but also embezzles the client’s funds. After the financial crisis, in order to avoid ruin, he took the risk of stealing precious stones. It is intriguing that Collins has named such a sanctimonious figure Abel White. The image of an Indian was in stark contrast to Abel White’s imposing appearance. In the eyes of several narrators, the Indians are dark skinned, obtuse, and have a manner reminiscent of snakes. However, they had a clear goal and a firm belief. In order to retrieve the stolen holy moonstone, they broke the religious rules and sacrificed their lives to trace all the way to England, and finally returned the gem to its owner by tenacious perseverance, superhuman patience and shrewd calculation. The explorer concludes the novel by describing a grand Hindu religious ceremony celebrating the return of the jewel. His reverence rose to the page as he spoke of the three men going their separate ways, with the congregation around them making way for them in silence. The moonstone becomes a yardstick to measure the good and evil of human nature and a mirror to reflect the character’s morality.
Reflected in this mirror, the “barbarian” in the eyes of the Europeans became the guardian of virtue, while the English gentleman had forgotten what was virtuous. So when Abel White, the “capable white man”, is murdered by an Indian, the mood conveyed by the novel is not one of indignation, but of sympathy, admiration and relief that justice has been done. The moonstone is a sacred object of Hinduism. This gem is no longer just a physical indicator, but a spiritual and cultural sustenance. The twists and turns of its fate revealed that the economy of the English country estate was closely related to the colony. Events in the colony would eventually spread to the British mainland and cause social unrest in Britain. The moonstone exposes the brutality and greed of the colonists, reflecting their moral corruption and hypocrisy under the guise of religion and civilization. Moreover, through the influence of the gem on the family of the British gentry, the author implies that colonial affairs destroy the traditional social and family hierarchy order: only when the colonial gems leave the British mainland, the British family can restore normal order. Another theme of the novel is to celebrate Rachel’s pursuit of love, even though her pursuit is full of difficulties. She falls in love with Franklin before her birthday party, but on the night of the party, after witnessing him steal the moonstone, she begins to doubt their love. But no matter how sad she was, she chose to sacrifice her reputation for secrecy to protect Franklin. In the novel, there are three Indians who follow in the footsteps of the moonstone, and their task is to keep searching for the moonstone, without fear of sacrifice, even through generations of efforts, until the stone is returned to its original place. Rachel’s sacrifice was in the name of love, and the sacrifice of the three Indians was in the name of faith. The two kinds of sacrifice echoed and supported each other.
The horror and mystery reflected in The Moonstone is one of the important features of Gothic literature. Readers are always in the process of guessing the murderer, guessing wrong, continuing to guess and guessing wrong. Only by reading the ending did we discover who the real killer was. In The Moonstone, Wilkie Collins has a remarkably precise command of time and space, one of the basic abilities that most mystery novels have. In terms of narrative structure, the novel is just like drama and film shooting, which is divided into prologue, first part, second part and epilogue. In the second part, there are six stories to tell. The time of the narrative remains the same, and the gems are stolen one by one — the truth comes out, but after the jewel is stolen, the events in the second part are told separately by the six men, as if the police were looking for clues and inquiring about relevant personnel, and the parts of the six men’s separate stories seem to be independent. The overlap of time and the intersection of space weave an impenetrable web. Narration, flashbacks and interludes in space and time make the plot messy and complex, close and scattered, and the readers’ mood is controlled by the author. There are traps in Wilkie Collins’s narrative that draw the reader’s mind in mysterious and conspiring directions, yet he is so grounded in the goodness of human nature that, just when you want to believe in it, another well-reasoned accident pulls back a plot that has gone far. Finally, you seem to know how the gem came back to India, and you seem not to know. This kind of looming narrative is extraordinarily precise in its transformation of narrative vision. In the dialogue of the characters, the defects of the previous character are written back or made up, and the whole picture is reflected afterwards where random incident causes an uncontrollable scene.