Every woman is the architect of her own fortune.
The Miniaturist, written by Jessie Burton, begins with a conclusion, which sets the scene for some confusion, though is soon explained over time. Furthermore, although the prologue is written aside from the rest of the book, it is, nonetheless, significant.
Burton writes The Miniaturist in present tense, which is suitable for the storyline. Plus, as most modern literature is written in past tense, this difference plays a major role in the enjoyment of the work. In hindsight, the tense chosen intensifies tension, depth, and pace. It feels as though you read “a movie,” with each scene similar to that of an act, a continuous moment of time.
Now, onto its plot. Nella (our main character) is an outsider. Johannes, her husband, doesn’t seem to have much interest in her. Marin, his sister, is distinct and stern, a woman in charge rather than complicit. Their servants (Cornelia and Otto), too, are more open and harsh than the average servants/maids. Though only when Johannes gives her a replica of their home does she somewhat feel accepted. However, even then Nella confronts trouble, for as soon as she takes interest in ‘the miniaturist’ (a craftsman who creates miniatures), an unknown woman begins to watch her, as though she weren’t there.
Later, when Johannes comes to the decision to take Nella to a feast at the Guild of the Silversmiths, Nella must confront her vulnerabilities, together with the tension and competition aroused by other traders. In addition, a notable confrontation occurs in this scene; Nella meets the Meermans, who have tasked Johannes with the storage and sale of their sugar. As the Meermans have a supercilious nature (which is soon shown in their behavior, dialogue, etc), further questions emerge, those which at first have no answers.
I must take note of the major twists that happen throughout the book, some of which might seem uncomfortable to some readers. Therefore, make sure you’re fine with topics such as marriage, race, servitude, illicit romance, etc. They’re important to the storyline and atmosphere!
That takes me to a theme I’d like to go into. A portion of the book is dedicated to what it means to be a wife, as Nella finds a hard time fitting into her role (I won’t explain – it’d be a spoiler!). In the process, she questions the necessity of childbirth and the hidden potentials she has as a woman; talents and opportunities she’s missed because of the church’s (and society’s) view of women. Though this is a common theme, it’s a nice refresher to have every now and again, notably because parts of it are quite prevalent to modern times.
One aspect I admire is its ability to make us examine. For example, the suspense and distrust between newer and older characters is never rushed, off-kilter, or unreasonable. In fact, its stable pace makes room for realism, characters that behave and act as we might, even if the era and context varies from our own. It’s a rare and difficult element to integrate, but one that, at length, drives this work to be a (possible) classic.
In short, The Miniaturist warns to handle misfortune with caution, as it might lead to continuous trouble …