Category Archives: Analysis

Anne Of Green Gables by Lucy Maud Montgomery

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Anne of Green Gables: Montgomery, L. M.: 9780553213133: Amazon.com: Books

Anne of Green Gables is a coming-of-age novel. From the growth experience of the protagonist Anne, we can know the author’s consciousness of eco-feminism beyond the times. The world is a pluralistic community. Man is a part of nature and forms an inseparable web of life with all things. He should treat other creatures equally. People should love and help each other. Only in this way can human beings get rid of all kinds of crises, obtain a happy life, and build an ideal society of harmonious coexistence between human and nature, a free society that can regulate the relationship between human and nature.

Annie’s experience is a life process that everyone has to go through – growing up, studying, falling in love, getting married, having children, working. In this sense, Anne of Green Gables is a growth novel for young boys and girls to read. It instructs them to go to the hardships and tribulations in life with enthusiasm, innocence, tenacity and honesty like Anne, and to pursue more precious things in the world than money, wealth, fame and status with an optimistic outlook on life.

The novel teaches them to love man and nature, to seek happiness and satisfaction from nature and imagination, to open their hearts to the joys of the world and life, and to illuminate themselves and the people around them with a lively and natural heart. For adult readers, through experiencing Anne’s growth process and mind course, they can understand Anne’s personality charm, gain some lessons from it and then reflect on their own life. In today’s worship of material wealth, man is increasingly alienated from nature.

It is an age where a person increasingly complains about the stress of life and calls for humanity and conscience. People should think about how not to be assimilated by the turbid world around them, not to give up their dreams and hopes under any circumstances, to be philosophically and kind-hearted to save themselves, with the magnanimous heart of Anne, optimistic and persistent struggle for progress, and the pursuit of ideals. Like Anne, they should keep a heart full of passion for the world, find the ability to feel the happiness of family affection, friendship and love, and become closer to nature, closer to oneself, and truly happy.

When Montgomery wrote Anne of Green Gables, she did not use any particular technique. She only selects comedy events that are close to life and in line with children’s age and psychological characteristics, and employs the most common vivid description of children’s language and actions in traditional children’s literature, while setting off the typical environment. However, it is the successful combination of these traditional writing techniques that makes this work become a world-famous classic of children’s literature.

In this novel, Montgomery resorts to concise and fresh language to vividly depict landscapes, flowers and plants, which can not only cultivate children’s temperament, but also meet children’s various aesthetic needs. With the help of Anne’s eyes, the novel presents the beautiful and unusual natural environment in front of readers. Sweet apple blossoms, white as snow, on the white road of joy. Under the branches, the purple dusk came unawares.

A morning like an oil painting with thousands of purple flowers blooming in a deep purple pond, full of the charm of nature, flowing with the beautiful melody of the birds. The author lavished pen and ink on a fairyland like this. Living in such a wonderful environment, it was no wonder that Anne was often as happy as a fairy. When readers read these, they will be unconsciously intoxicated with them. And so it is in real life. Every year, thousands of tourists from all over the world come to Prince Edward Island to follow in Anne’s footsteps.

Book Review: Anna Karenina by Leo Tolstoy

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Amazon.com: Anna Karenina (Barnes & Noble Classics) (9781593080273): Leo Tolstoy, George Stade, Constance Garnett, Amy Mandelker: Books

An excellent psychological description is the essence of the artistic charm of Anna Karenina. The psychological description of the characters is an important part of the whole work. Anna’s choice shows human error. In order to realize the narrow personal love, she did not mind leaving her family as a slave to her own lust. Leo Tolstoy profoundly reveals the origin of Anna’s tragic fate through this magnificent work, that is, the incomplete emotional personality determines Anna’s tragic fate. Although her life exploration is aimed at realizing the spiritual self-pursuit, her life force lacks rational coordination, support and control, resulting in a tragic ending of drifting with passion.

Anna vigorously pursues the extension of perceptual life, strives to explore the original existence mode of life, and earnestly calls for the return of human nature. This behavior mode and understanding of life are understandable, but it does not mean that we should completely abandon even a little bit of rational constraints. Anna in the pursuit of spiritual freedom and practice of the liberation of human nature at the same time fell into the sensual error of indulgence. The freedom she sought to cast off the shackles of society was a selfish freedom, a freedom without scruples, a satisfaction of emotional and possessive desires.

Freedom is not a simple sense of doing whatever you want to do, but a rational sense of active life stretch. If we abandon the principle of reason and only recognize the freedom of the individual, then the freedom of the individual can easily constitute a violation of the freedom of another person, harm the interests of the surrounding groups, lead to contradictions and conflicts, and ultimately make the freedom of the individual insecure and unstable. Just as the pareto principle in economics requires, the realization of individual freedom must be restrained by rationality to ensure the freedom of the whole society is not reduced, that is, the increase of individual freedom must be presupposed by respecting the freedom of other relevant individuals.

It is only under the guidance of reason that each individual seeks his or her own freedom that he or she will be recognized by the social subject. Freedom must be combined with reason to manifest and realize, so as to form a complete concept of moral self-discipline. On the contrary, freedom without reason is at best an empirical self, not a positive extension of life. Only by constraining oneself with the power of reason, realizing the unity of sensibility and rationality, and establishing a sound ideal personality, can we achieve the true state of freedom, which is the highest state that human beings should pursue.

Moreover, Tolstoy saw that in Russia, with the development of urban civilization and material civilization, people’s natural emotions were suppressed, subjectivity gradually lost, and they became the slaves of selfish desires. In the novel, Levin is a man who loses himself in the bureaucratic strife. Through this character, the author shows his reflection on rationality and his deep worry about the alienation of human nature. In the novel, Tolstoy also created two environments, two kinds of aristocrats, through the lives of Levin and Anna. One was the city, where the Karenin, the Oblonsky, and the Vronsky aristocracy lived.

The other was the countryside, where the Levin aristocracy lived. The former is far from nature, for selfish desire to slowly lose the natural emotion of people. In the competition between human beastliness and human nature, they gradually abandon the good self for their own selfish desires. And the latter is in the natural environment, in the real work to exercise the body, purify the mind, get real happiness. Tolstoy shows his opposition to urban civilization through different aristocratic attitudes towards nature. From the cultural point of view, Anna’s tragedy should be the manifestation of Russian cultural tragedy.

Anna struggled between emotional satisfaction and religious repression, lacking a rational regulatory link, a mental defect that showed the fragmentation of Russian culture. Russia is a latecomer to capitalism. It is a millennia-long religious and authoritarian system that keeps the state running. The scientific Enlightenment, which rose slowly in Russia from the end of the 18th century to the beginning of the 19th century, was often led by the ruling class to serve the autocratic system, which resulted in a lack of real rational spirit and legal consciousness, let alone a sense of democracy.

In Russia, only a small number of intellectuals (such as Pushkin, Belinsky, Turgenev) were affected by western science, democracy and rational spirit. However, most intellectuals have a strong religious consciousness inherent in their minds (such as Tolstoy, Dostoevsky, etc., who best represent the characteristics of Russian culture). For the Russian people as a whole, their way of looking at problems and dealing with things is either instinctive desires or moral beliefs, and their instincts and beliefs are in a state of confrontation and division. Hence, Anna embodies the fractured nature of instinct and belief in Russian culture.

Agnes Gray by Anne Brontë

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Agnes Grey, by Anne Bronte. I had rather low expectations for this lesser-known Bronte novel, but it definitely exceed… | Agnes grey, Anne bronte, Old movie posters

Agnes met the honorable curate Weston. Although both of them are equally poor, they have the good feelings of the world, and enjoy the beautiful things of nature together in helping each other. She and Weston lived an unflashy, truth-seeking life. In the face of ignorant and cruel students, selfish and hypocritical employers, Agnes showed integrity and patience. She never gave up her efforts and pursuit. She sympathizes with the weak and often visits and helps the poor. In this, Weston has done even better. In them, goodness is reflected. Compared with Agnes Gray and Weston, the ignorance, coldness, selfishness, and hypocrisy of the young ladies and gentlemen of the bourgeoisie are obvious. Standing on the progressive standpoint of that era, the author reveals the social inequality and unreasonableness.

Agnes Gray not only reflects the personal experience of a governess in the first half of the 19th century, but also highlights the characteristics of ignorance, callousness, selfishness and hypocrisy of the aristocracy and bourgeoisie in the rising stage of the British society at that time. Although they have accumulated a lot of material wealth and gained a high social status and power, readers can feel the dark side hidden behind all these grand appearances from the perspective of the author’s narration. These lords and ladies seemed to have fine manners and fine conversation, but their spiritual and material lives were far from balanced. If we cast aside that superficial appearance and go deep into their hearts, the reader will find that they are very poor in spirit.

Mr. Murray does nothing but drink and abuse, Uncle Robson is devious and takes pleasure in killing animals and insulting people, and Lord Ashby eats and drinks excessively. Even the Reverend Hatfield, the spiritual guide of these upper men, was no gentleman. From the pulpit he was eloquent, discerning and guiding, and presenting himself as the spokesman of the savior of mankind. As soon as he stepped off the pulpit, he showed his true colors. He tends to the ladies of the rich family. He is witty and talkative on the surface, but in reality he is a buffoon and a smooth talker. When he failed to court Miss Murray, he went out of his way to threaten her, and all the dignity and grace of the preacher was gone. In contrast to them were Agnes Gray, the governess, and the curate, Weston.

They all looked ordinary and came from poor families. They are indeed poor in material things, but they do not feel inferior to take the breath of the rich. They live a very full life within themselves, live by their own rules faithfully, and believe in the greatness of human love. They are striving for a balanced life, and if they have no ambition to make the world a better place, at least they want to perfect themselves. While seeking respect and love, they never forget to respect and love others. They live a life free from vanity and in pursuit of truth, which is not only their honesty to others and to themselves, but also their attitude towards life as a whole. They love knowledge and true friendship, as well as the plants and trees of nature.

They are intellectually, morally, and mentally superb to their employers or superiors. Because of their spiritual superiority, they face difficulties, grievances and injustices without deceiving themselves or feeling uneasy, and always accept the gifts of life with open arms. In this respect, the author seems to be saying that Agnes Gray and Weston’s acceptance of life is deeper and broader than that of property owners. It should be noted that in Agnes Gray and Weston, there is indeed a certain religious feeling. It is easy for the reader to relate much of the work, especially the personalities and experiences of the two men, to this background. It is true that the author measures a man’s character by the piety of his religious feelings.

The author distinguishes Agnes Gray from her employer by her faith in God and her love for humanity. But what is presented directly to the reader is Gray’s endurance, her efforts, and her pursuits in concrete life. So in this sense, religious background is only a superficial means to distinguish between the two, not the essence.

A Study in Scarlet by Arthur Conan Doyle

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A Study in Scarlet (Sherlock Holmes Book 1) - Kindle edition by Doyle, Arthur Conan, Penzler, Otto. Literature & Fiction Kindle eBooks @ Amazon.com.

“A Study in Scarlet” has a sophisticated narrative technique that is perfect. From the perspective of narrative layout, this novella is divided into two parts, with seven chapters in each part. The narrative sequence of the first part is as follows: Watson gets acquainted with Holmes — the reasoning method of Holmes — the murder happens — the police statement — the suspected murderer appears — the police statement — the murderer is caught. The second part is as follows: looking back to the past (that is, the motive of killing) — Watson supplement — Holmes explains the reasoning process. The whole narrative can be divided into three parts with the occurrence of the murder as the boundary. Before the crime, the first and second chapters are the chapters where the author sets up the characters to appear. Watson first learned about Holmes from a friend. His friend gave a very good summary of Holmes’s character in a few simple words, such as he was a strange man, a very decent man, his studies were messy, he was a little too hard on science, and so on. The role of this friend is to give Watson, and indeed the reader, an initial introduction to Holmes, and when the two meet and decide to share a room, the friend exits and disappears behind the scenes. The task of introducing Holmes to us fell to Watson. The author makes an ingenious shift of perspective, allowing Watson to amplify the magic of Holmes with several small events, such as knowledge table, argument with Holmes and reasoning on the identity of strangers.

In these two chapters, the narrator is not fixed. The narrative perspective constantly switches between Watson, his friend and Holmes, giving us a multi-dimensional understanding of the life situation and personality characteristics of Watson and Holmes. There are five chapters between the murder and the capture of the culprit. From the point of view of the complexity and brilliance of the narrative, this part of the content is undoubtedly the most worth tasting and analyzing. The author changed several narrators to make the plot more intense. When the postman brings a letter with information related to the murder, Holmes reads it and asks Watson to read it to him again. The letter is written by a policeman, Gregson, and read by Watson, who becomes the first narrator. Gregson, on the other hand, is the latent narrator. Then Holmes and Watson come to the scene of the crime. The two policemen again become the main narrators. By his own observations and the information provided by the police, Holmes got a preliminary understanding of the case. Then, the police officer who found the body described the discovery of the body as the main narrator, the police officer Gregson as the main narrator proudly announced his investigation process, Holmes as the main narrator confirmed to everyone that the dead died from taking poison, and caught the murderer. Basically, each chapter has a different narrator who tells the reader about the case from multiple perspectives.

When the police narrated the case as the narrator, Holmes supplemented the details that the police did not find as the second narrator. Such narration made the case complicated and confusing. All the people were in the fog, but Holmes had already reached the conclusion at this time. At this point, the murderer has been arrested, and is caught. This catches all the readers by surprise, for everyone, except Holmes, is in the dark. The criminal is suddenly caught, but the author does not explain to the reader how he killed, why he killed, and how Holmes learned who the criminal was. Normally, this would have been part of the first book, but Conan Doyle took a different tack, going back in time 30 years. The narrative space is transferred from London to the desert of North America. He tells us the motive of the murderer in the objective and calm third person with the content of five chapters. After going back through history, the author adds two more chapters. In the sixth chapter, after the first five chapters have laid the foundation for the motive of the murderer, Watson as the first narrator is actually the criminal Jefferson Hope as the second narrator to describe the criminal process in detail. At the end of chapter 7, when the criminal has died of illness, Holmes tells Watson his reasoning process. At this point, the whole novel really came to an end. Conan Doyle used dozens of narrators in “A Study in Scarlet”. The narrative perspective is constantly shifting from person to person (seemingly arbitrary, but actually carefully arranged by the author).

From the detective to the police, from the police to the criminal, and then to the author of the whole novel Watson. Conan Doyle weaves the whole story with the narrative structure of crime discovery, crime solving, crime story and reasoning process, which integrates love story, crime story, historical story and detective story, expands his creative horizon and greatly enriches the artistic charm of detective novel. From the irony and ridicule in the novel, we can also feel the skillful use of the narrative discourse, so that the listener can indirectly feel the thorns in the words through the derivation of the meaning. Such sarcasm actually attacks the face of the other party through narration, and it also plays an auxiliary role in the construction of the character image. It is in this way that the author gives us a description of a sharp, distinctive character of the detective image. Through the construction, metaphor and transformation of the narrative discourse, the author employs a lot of ink to render the characters of the three detectives, with the purpose of describing the incompetence and vulgarity of the official detective as a contrast to the wisdom and courage of the private detective. Moreover, the poor performance of these two detectives undoubtedly enhances the readability and entertainment of the novel, which enables the readers to enjoy the art of murder and achieve the artistic effect of relaxation after tension.

Film Review: A Room with a View

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In the England of Victorian times, the upper class teenager Lucy and her cousin Charlotte go to Italian Florence to go vacationing together, encounter English youth George and his father living together in a hotel. Lucy was so upset that she couldn’t see the view from her room that George’s father gave up his room to Lucy. Lucy and George are falling in love. But George, who came from a laboring family, was a straightforward man, and his manners did not fit in with the high-class bureaucracy to which Lucy was accustomed. Inhibited Charlotte was also very uncomfortable with George. On one occasion, George could not help kissing Lucy, which was considered deviant behavior in Britain in the last century. Lucy thinks George’s behavior is not proper and returns to England without him.

After returning home, Lucy is engaged to Vyse, a musician. Vyse is empty on the inside and obsessed with external etiquette. Lucy, however, felt in him the hypocrisy of the pomp and ceremony which might have been just what Lucy’s family wanted, and began to miss George’s little brash, unceremonious, but youthful passion. When George returns to England, the two meet again. But Lucy is still stuck in a hypocritical and a primly way of telling whether she accepts George’s love or not. George had no choice but to go away sadly. After several twists and turns, Lucy’s cousin Charlotte saw that George was a little bold, but he really loved Lucy, so she secretly arranged George’s father to inspire Lucy, so that Lucy finally abandoned the shackles of etiquette, to find her beloved man.

In the movie A Room with A View, the control and oppression of men and the impulse to pursue happiness and love make Lucy finally begins to awaken her self-consciousness. As a woman living in a traditional male-dominated society in Britain, it is impossible to say that her ideas have not been affected by the real society at all. Fierce arguments inevitably followed her life. But, remarkably, Lucy was not assimilated into the way that her mother and Miss Bartley had been. As described later in the film, when she played the piano, she entered the real world. In that world, she was her own master, she was responsible for her actions, she didn’t have to depend on men to live, and she did the unusual things she wanted to do. A Room with A View belongs to the so-called literary heritage genre, which refers to the period blockbusters that were popular in Europe and the United States in the 1980s and 1990s.

These films are usually adapted from famous literary works, and tend to be classical in aesthetics. They are usually performed by numerous international movie stars, and have high artistic value. At the same time, this kind of films prefers the long town head and depth of field shots, the film is often interspersed with beautiful symphony and elegant natural and cultural scenery. The film gives priority to with downy tonal, dim yellow, sky blue, pure white, light gray foil give a warm, detailed atmosphere, providing a kind of proper ground color for rendering a wonderful cherishing story. The audience unconsciously relaxes and revels in the delicate and elegant rococo environment. At the same time, the soft and fresh colors echo the theme of love in the film.

Princess of Mars by Edgar Rice Burroughs

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A Princess of Mars - Wikipedia

In 1866, at the end of the Civil War, Captain Carter, a cavalry officer in the Southern Army, suddenly flew to Mars from a sacred cave. At that time, Mars was far more scientifically advanced than Earth. But on Mars there are the Tharks, ruled by tall, ugly, four-armed green men, and the kingdom of Helium, ruled by pretty, peace-loving reds, who look a lot like earthlings. All in all, it was a chaotic situation. Carter put his talent to good use, chivalry, with the most beautiful princess Dejah Thoris married. He spent ten years of peace there. This book is set in the vast scenes of Mars and Earth, and has the gripping appeal of a magical adventure novel.

The incomparable interestingness constitutes the archetype of what has been called the cosmic opera in the history of science fiction. John Carter, a veteran U.S. cavalry captain, went after the war to explore for gold in the Arizona mountains with his old friend James Powell, an exploration specialist. John Carter lost his way to save an old friend by attacking him in a ruse, and found himself on Mars after a coma. On the surface of Mars he felt weightless, jumping thirty feet high and a hundred feet away. He had dealt with several peoples and nations on Mars, fought in many battles and wars, and had an affair with Dejah Thoris, the princess of Mars. In order to save the princess who was captured by the alien race, Carter went through hardships and dangers, showing the wisdom and courage of the earth people, finally not only rescued the princess, but also won peace and friendship for the inhabitants of Mars. After marriage he lived happily with the princess for ten years, and while on a mission to open an atmospheric manufacturing factory for the Martians, he passed out from thin air and exhaustion. When he woke up, he found himself lying in the same place he had left the earth ten years before.

Authors We Love: Charles Dickens

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Charles Dickens - Wikipedia

Dickens lived and wrote in the early years of the Victorian Era in the mid-19th century. Dickens’ activities and creations throughout his life kept pace with the trend of the times. He exposed the hypocrisy, greed, baseness and cruelty of the upper class and the bourgeoisie in a realistic way, and showed the miserable situation of the lower class, especially women, children and the elderly, with great indignation and deep sympathy. And with a serious and cautious attitude he describes the awakening of the struggle of the toiling masses. At the same time, he also eulogizes the truth, goodness and beauty in human nature with idealism and romanticism, and looks forward to a more reasonable society and a better life. Dickens embodies the core spirit of the English, a kind of joy and satisfaction from the heart. But there is another British spirit in Dickens, a kind of self-conscious reflection and critical spirit. He spoke for the disadvantaged groups, pursued social justice, explored the core values that can make human beings live in harmony, and expressed the aspirations and dreams of many people with 15 novels and a large number of prose works.

In Dickens’s early works, the reader sometimes finds his affirmation of commercial value. But the later Dickens took a more derogatory attitude towards business. His work also tends to show in a violent way the subversive power of money in an increasingly industrialized society. In the real society, there is a philosophy that ignores human nature everywhere. All spiritual life, including religious life, has hopelessly become a vassal of money and a quantifiable index. With the development of Victorian society, the ethical and moral concepts of the aristocracy were inevitably impacted by the culture of the middle class. The ethics and morals of the middle class have gradually and widely influenced people’s way of life. The development of ethics reflected in the culture is the development of Victorian culture, thus breaking the original monistic cultural values.

Thus, it can be said that Dickens is not only criticizing the inequality of social classes in his novels, but also commenting on the culture of that society, especially its moral concepts. From this we can see his concern and thinking about the future of that society, and also reflect his deep thinking about the human life itself. Dickens’ early novels are grand, popular and fluent, humorous and pungent, and full of sentiment, in which the criticism of the society is generally confined to local institutions and fields. For example, “Oliver Twist”, “Nicholas Nickleby”, “The Old Curiosity Shop“, “The Life and Adventures of Martin Chuzzlewit”, “Christmas Carol” and so on. After “Dombey and Son”, Dickens’s writing became more mature. “David Copperfield” further explores the struggle of life and is autobiographical. It is a long picture that reflects the middle and lower classes of Britain in the mid-19th century.

“Bleak House”, “Hard Times” and “Little Dorrit” are three politically conscious masterpieces. Dickens’ later works clearly reflect the deepening of the creation of the theme, technical maturity and various aspects of exploration. “Great Expectations” can be seen as a negative of “David Copperfield,” but it is more realistic and apocalyptic in its approach to life, and the author’s early optimism is markedly diminished. The hero Pip is also an orphan. However, he can not withstand the temptation of the environment and loses his original simple nature. After experiencing harsh hardships, he realizes repentance and starts to live again, and the whole novel is more concise in structure. “Our Mutual Friend” is another critical novel that goes deep into the society. The human nature exploration and life philosophy contained in it are also more profound. The symbolism and detective novel techniques used in the novel add more to its artistic charm.

Dickens’ final novel, “The Mystery of Edwin Drood”, is only 23 chapters long, but it is also exquisitely written, scrupulously conceived, and seductive with suspense and mystery. He describes a large number of people in the middle and lower classes, which is unprecedented in literature. With his high artistic generalization, vivid detail description, witty humor and meticulous analysis, he created many unforgettable images that truly reflected the social face of Britain in the early 19th century, which had great appeal and cognitive value, and formed his unique style. He reflects the breadth and variety of life, the depth and power of it. Instead of preaching or conceptualizing his tendencies, he tends to inspire his readers’ indignation, hatred, sympathy and love with vivid artistic images. Most of his characters have distinct personalities. He is good at using artistic exaggeration to highlight some features of the characters and reveal their inner life and mental outlook with their customary movements, gestures and words.

Dickens’ works have a strong romantic atmosphere, and the things he describes seem to have some kind of spirituality that can match the feelings and temperament of the characters, which enhances the appeal of the works.

Film Review: A Star is Born (2018)

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So, I know I’m late to the A Star is Born party, but I do see what all the buzz was about. Before I get into the thick of this review, there are a couple warnings I need to distribute. First, this movie is R-Rated, and if you’re uncomfortable with that, then you should stop reading now. Additionally, if you are triggered by mentions as well as depictions of suicide, this review is not for you; people who are triggered or uncomfortable with detailed depictions of alcohol/drug abuse should also stop reading here.

A Star is Born (2018) is the third remake of a film released in 1937. The other remakes were released in 1954 and 1976. While they all have pretty similar storylines, there are slight differences and variances between all of them. The story itself is seemingly cliche: seasoned and successful musician/actor accidentally meets struggling young musician/actor, the seasoned artist helps young artist gain fame and success. The seasoned artist’s career dwindles due to drugs and alcohol, which he abused due to deeply rooted issues stemming from an alcoholic absentee father; meanwhile, the young artist’s career skyrockets, and she is ecstatic, until tragedy strikes.

The decline of his career becomes too much for the seasoned musician/actor, and he falls deeper and deeper into the pit of drug abuse. His young lover does her best to dig him out and help him, but it becomes a bigger and bigger problem, until he can’t take it anymore, and ends his own life. This begins a new chapter for the young star, who now has to navigate the cruel world of the elite on her own, all while heartless things are being said about her late lover.

Overall, this movie was an emotional roller-coaster, and I strongly recommend it if you want to vent some of your own emotions by crying and blame it on a movie. However, if you don’t really feel like being emotionally wrecked over a movie, I would not suggest watching A Star is Born (2018). But nonetheless, I loved it. Also, I love Lady Gaga. Her performance was absolutely stunning.

-Arushi S. 

A Star Is Born, starring Bradly Cooper and Lady Gaga, is available for checkout from the Mission Viejo Library. 

Sister Carrie by Theodore Dreiser

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Carrie Meeber is from a small city who seeks to go to her sister in Chicago to have a better life. However, when she gets there she realizes the fact that her sister and her brother in law are in a very wretched condition together with their daughter. Unable to endure their apathy when she fails to secure herself a job, Carrie decided to leave. Before she even arrived in Chicago, she met Druet, a wealthy young man on the train who really likes her due to her beauty. So right after quitting her job at the factory, Carrie accidentally met Drouet around the street corners. He treats her a meal and often buys her beautiful clothing and jewelry which made her think in his favor. And thus, soon they were living together in a comfortable flat.

But it wasn’t soon when Drouet introduced Carrie to his manager friend Hurstwood. Lured by his gentleness and suave manner, Carrie fell in love with him and he with her. However, since Hurstwood was not in a relationship with his wife and his children, he lied to Carrie and said that he was unmarried. One day, Hurstwood under the influence of alcohol accidentally took ten thousand dollars from the cashier’s unlocked box and decided to flee to New York. He wheedled Carrie into escaping with him as well and so the two left for New York. However, life was not as easy there because everything was more expensive. After several unsuccessful attempts at finding a satisfactory job, Hurstwood depended on Carrie to earn and they again fell into the state of poverty.

Just then, due to her looks, passion, and aptitude for singing and acting, Carrie made a career in the theatre. She was well-liked by a lot of rich people and thus deserted Hurstwood. Although she regularly supported him somewhat, she severed the relationship at last when Hurstwood, due to his pride, stopped asking money from Carrie and suicided at last.

-Coreen C.

Sister Carrie by Theodore Dreiser is available for checkout from the Mission Viejo Library. 

 

Father Goriot by Honoré·de Balzac

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Père Goriot by Honoré de Balzac

“Father Goriot” focuses on exposing and criticizing the naked money relationship between people in the capitalist world. The novel is set in Paris between the end of 1819 and the beginning of 1820. It mainly tells two parallel and overlapping stories. Retired flour-maker Goriot was neglected by his two daughters and died miserably in the attic of an apartment. The young Rastignac changed constantly under the corrosion of Paris society, but he still maintained justice and morality.

It’s also interspersed with stories about Madame de Beauséant and Madame Vauquer. Through the alternating main stages of shabby apartments and luxurious aristocratic salons, the writer paints a picture of the materialistic and extremely ugly society of Paris. It reveals the moral decay of the bourgeoisie under the control of the power of money and the ruthlessness between people, and reveals the inevitable destruction of the aristocracy under the attack of the bourgeoisie, which truly reflects the characteristics of the Bourbon Restoration period.

In “Father Goriot”, Balzac successfully depicts the complex relationship between class and class consciousness through the fate of Eugène de Rastignac and Goriot. This complex relationship has a historical basis. As two different classes, the aristocracy and the bourgeoisie have different economic bases, lifestyles and values, and occupy a dominant position in different historical periods. In France, in this sense, both the rise of Eugène de Rastignac and the fall of Goriot are the inevitable products of certain historical situations. The context set in the novel is 1819.

Although it was the restoration period of Bourbon, the regression was only partial, and the overall trend of historical development could not be reversed. The capitalist mode of production became increasingly stable, and the bourgeois consciousness inevitably became increasingly dominant. The gradual dominance of bourgeois consciousness not only means that the aristocracy is defeated on the whole, but also means that some individual aristocrats are incorporated by the bourgeoisie, such as Eugène de Rastignac.

This shows that the rule of the aristocracy was not only defeated from the outside, but ultimately collapsed from the inside as well. At the same time, the process eliminated members of the bourgeoisie who were not pure, such as Goriot. The bourgeoisie was consolidated from within. This shows the complexity of the historical process in which the bourgeoisie replaced the aristocracy. The struggle between the two took place not only externally, but also internally, not only in the form of revolution, but also in the form of ideological struggle.

Madame de Beauséant and Vautrin are the smartest people in the world. They had insight into a society that was respectable on the outside but dirty underneath. They were Eugène de Rastignac’s worthy mentors, and without them the young peasant would not have awakened so quickly. However, in addition to the words of these two teachers, it was also due to the example of Goriot that finally enlightened Eugène de Rastignac. We do not say this to regard Goriot as a bad man, or to say that he had done something unseemly.

Goriot died alone after his two daughters had bled him clean of his poor savings, and Eugène de Rastignac was a witness to the whole course of this tragic event. It was from here that Eugène de Rastignac saw through the world’s sordid society and was no longer under any illusion about the so-called justice, affection, friendship and so on between people. Therefore, he was determined to enter the upper class arena as a challenger. Sure enough, after some struggles, when the reader sees the young man again in one of Balzac’s other works, he has already mixed up a personal image.