Told in third person from the perspectives of Izar, the adoptive son of a wealthy and avaricious owner of the oil company Ocean Dominion; and Coralline, a gentle mermaid who is an assistant at an apothecary, The Oyster Thief is a world of juxtapositions, of mermaids and men, water and fire.
When he is young, Izar’s adoptive father tasks him to invent underwater fire so that Ocean Dominion can scour the ocean floor for treasure while destroying the settlements of merpeople in the process. As is evident from this plan, the people at Ocean Dominion regard merpeople as lesser than humans–even monstrous. In contrast to Izar, Coralline is an apothecary whose goal is to heal and care for other merpeople.
Sonia Faruqi switches between the two characters to show how their lives run both parallel to and in contradiction with each other until their storylines meld together into one. The Oyster Thief touches on the concepts of true love and why people are not always how they seem. Coralline with her healing and Izar with his destruction seem natural enemies, yet they grow steadily closer to each other as the story progresses. I liked how Izar and Coralline’s actions are contrasted with each other by how differently each reacts in a similar situation.
The underwater world Sonia Faruqi builds is very well thought out; the merpeople’s food, customs, currency, and so forth are all considered, which makes the story more realistic. I thought the story was well-researched: for instance, species of algae and sea creatures, the physics of the underwater world, and scientific explanations for anomalies that occur (such as underwater fire) are specified. The incredibly logical explanations of the world help make the novel believable and sophisticated.
I did think that sometimes too much time was spent explicitly contemplating ironies or thematic concepts in the story that usually are interpreted by the reader, and many words are also spent giving a specific reason for a character’s actions. However, the novel’s concept is quite intriguing, and the many contrasts in the novel do lend themselves to a lot of irony that might require explanation.
I particularly enjoyed the characterization of the muses Pavonis, Altair, and Nacre (a muse is basically a merperson’s chosen companion, such as Coralline’s shark friend, Pavonis), as they are very developed and lovable characters.
In The Oyster Thief, Sonia Faruqi exemplifies how even the most contradictory matches–Izar and Coralline, poison and medicine, fire and water–can combine to form something healing and possibly incredible.
– Mia T.
The Oyster Thief by Sonia Faruqi is available for checkout from the Mission Viejo Library.